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This page brings together all the works that were exhibited in exhibitions where works were selected by submission and a prize/s was awarded. For works that received awards in these exhibitions see awarded in the gallery link.
holding infinity was installed in a forest setting at Sculpture in the Vineyards: Wollombi Sculpture Festival.
Nature has capacity for infinity — we do not. Our short-termism eats infinity. Can we hold our shared relationship to infinity?
surrounding a 300 year old tree this work invites us to shed tears and acknowledge that the earth too is shedding tears.
collecting tears calls on each of us to acknowledge the losses of our world, to allow our tears to fall. Image by Jessica Millman
How do we ‘know’ something as complex as the earth, as complex as nature?
post tension(ing): a monument to yesterday’s comfort was installed in Wollombi village as part of Sculpture in the Vineyards.
This work used of 20 chairs destined for landfill as part of the Shoalhaven Council reIMAGINE Sculpture Project.
describing one of the few straight lines governed by natural forces – a line pulled between the 2 magnetic poles of our planet.
Coming in and out of focus, the forms and their reflections plummet into the depth of the lake, clear or clipped.
A zig-zagging/push-pull structure creates an elastic web, if any element breaks the structure begins to falls apart…
Sitting lightly in the landscape, this work explore space and by its transparency, the intricacies of space become visible.
A living forest is a network of connections in all directions, subtle happenings within the cells of a tree or deep within the soil…
inclusion questions the idea of inside and out – what is included and what is not?
Sometimes when a tree falls in a forest it is caught and held by others to become the most sculptural of trees.
hollow earth is a homage to the earth – to that which lies below, to that which we so often overlook.
What is included and what is outside? Where does our connection with inside or outside begin or end?
This boulder-like yet transparent form, an irregular trapezoidal prism, hovers in space questioning the idea of perceived permanence.
Windings of cable span open space to create curved transparent surfaces over which winds may cross to create sound.
Two transparent funnels connect, one rounded edged turned down towards the earth, the other square edged facing upward to the sky.
A transparent form that contains reminders of a rectangular prism that is unable to remain still, or convincing of its form.
Sculpture on the Edge is held on Endeavour Headland in Bermagui on the South Coast of NSW.
…is time in fact linear? does it stack neatly one moment upon another? or does it really weave its way randomly…
This white threading of cellular memory speaks of its location by the sea while holding the memory of a place far from here.
While waves tumble and waste onto the nearby shore this work threatens to tumble towards the sea.
Installed on the beach vortex a seems to be listening to the sea… humming the long distance song of the universe
cellular memory is a discussion about how we form memories – it is an after image of a previous work in this location.
vortex acts like a funnel to another frame of mind, a new dimension of time and space – posing a question of perspective and courage.
This work speaks of my connection to land… as my feet growing roots into the earth I am connected to everything…
What visits us at night?
Image by Alex Wisser
echo was awarded a commendation. It explores timelessness, vulnerability, mortality…
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